This is a collection of lots of our improv tips from our twitter account (@HooplaImpro)
put together into one place:
– Catch yourself overly planning off stage? Shake yo head like an etch-a-sketch to come on fresh.
– If you treat the scenario as if it is real you don’t have to act, you just have to live.
– Play, let yourself go, go for it.
– U could b anywhere so set scene somewhere you’d like 2 b. Why so many post office scenes when it could be blue skies on Mars?
– For long-form narrative characters with desires/objectives are fun. Have a protagonist that pursues something meaningful.
– Having a drink with a beginners improv class is a very fun thing to do.
– “So just the fact that we’re alive at all I find fascinating, and I
guess that’s a good place to start in drama” -random pissed bloke in pub
– “It is easy to forget, that until the past few centuries , story was
always an intensely communal activity.” – The Storytelling Anima
– Whatever the other person gives you, correct! Whatever they give you, treat it like it’s awesome, cos it is.
– Listening should be active not passive, react to and use the other person’s stuff.
– You can play physical and emotional versions of the Yes And exercise, not just verbal.
– Stay open to the audience and other actor when getting it wrong, in fact especially when getting it wrong.
– improv decisions about teaching/style/content/technique made while separate from the actual audience are a total waste of time.
– Alternative names for game o scene – patterns, repeating behaviour, fun thing, what’s funny about that?, what’s it about, theme
– First unusual thing, first mistake or first laugh can signal the game of the scene. React to it, repeat it, escalate it, play.
– Don’t just pick up on what was said, pick up on how it was said. What was the emotional offer?
– Enter the stage as if you’ve just come from somewhere else.
– If feeling nervous about a show give yourself rule that you aren’t allowed to be funny for the first 8 lines of every scene.
– React to ‘mistakes’ with Celebrate, Incorporate, Justify, Expand, Celebrate.
– Improvising in the state of ‘avoiding criticism’ is no fun so f**k that.
– When people say it takes 10 years to become an overnight success they don’t mean wait 10 years then do something, act now.
– If “raising the stakes” doesn’t make sense to you try “making it more important” or “make it matter” instead.
– If your game has got no oomph then play it like a child would play it and be carefree.
– Because is a good word in improvised storyelling. Because that scene happens, this scene happens.
– Be Honest.
– Improv is going to be big in UK, really big. No, bigger than what you just thought.
– Say how you actually feel and you’ll find the character feels the same way. It’s the scene making you feel that.
– Sometimes there’s lots of technique to improv, but Yes Let’s seems to be the spirit of improv.
– Explore environment as metaphor for relationship. That’s what
screenwriters & novellists do afterall. Dark & stormy night.
– Make the other person’s offers, and the scene, more important not less so.
– If the character says “don’t tell the queen I’d loose my job” the improviser means “tell the queen”.
– Game of scene concept seeming too intellectual? Ask what’s fun about the scene instead. Fun is fun not thought.
– Establishing platform of character, relationship, where can come from play listening discovery instead of isolated thinking
– You don’t have to wait until audience give you a genre to play one, give yourself own suggestion and play genres for fun.
– Staying in the bar for four hours after an improv workshop won’t teach you much about improv but it certainly can be fun.
– Voice mirroring, saying the same words at the same time in your head, can help you stay focussed and ready when off stage.
– When doing object work go slower and bigger than you think you have to.
– If you believe the scene you’re in is real you don’t have to act you just have to live.
– From the excellent Mark Beltzman: “Replace thinking with listening”.
– Giving yourself the job of ‘use one of the words the other person just said’ is more active than just listening.
– Make your first response to mistakes “yes and” rather than “hide” and they turn from mistakes to genius.
– Say something honest from your own life or experience of the world and your character will have instant depth.
– Lines starting “I feel” “You make me feel” “You’re being” “You’re always” “I am” “You are” help build relationships.
– You can bring in behaviour, emotion, physicality, character, tempo, connection before you even get audience suggestion.
– Reactions & emotions bring impro to life and make it both human & funny. React to each line, gasp, laugh, react.
– When someone enters your scene react and adjust your status immediately, no matter what you were doing.